Jennifer Lopez dazzled in a sparkling, webbed-up gown paired with sky-high black heels as she graced the stage at Sundance Film Festival. It was an emotional moment for the superstar, who fought back tears while “Kiss of the Spider Woman” earned a standing ovation at the Park City’s Eccles Theatre. The crowd’s enthusiastic applause wasn’t just for the film’s artistry—it was a celebration of a dream fulfilled for Lopez.
“I’ve been waiting for this moment my whole life,” Lopez shared with heartfelt sincerity. “The reason I even wanted to be in this business is because my mom used to sit me in front of the TV every year when [‘West Side Story’] aired. I was mesmerized. I just knew—‘That’s what I want to do.’” Pausing for a moment to take in the audience’s energy, she added, “This is the first time I’ve truly gotten to live that dream. And this man right here made it happen.”
The “man” she referred to is none other than acclaimed director Bill Condon. A powerhouse in the world of musicals, Condon has helmed cinematic gems like “Chicago,” “Dreamgirls,” the live-action remake of Disney’s “Beauty and the Beast,” and “The Greatest Showman.” With “Kiss of the Spider Woman,” Condon made his triumphant return to Sundance, a stage he last graced in 1998 with the period drama “Gods and Monsters,” starring Ian McKellen and Brendan Fraser.
“I came here 27 years ago, and the experience of launching that movie here has stayed with me,” Condon reflected. “Now, with ‘Kiss of the Spider Woman,’ I’m bringing a story that’s been on my mind for years. It’s a movie I’ve wanted to make my entire life.”
Set primarily in an Argentinian prison, “Kiss of the Spider Woman” weaves an intricate tale of connection and survival. The story centers on Luis Molina, a queer window dresser played by Tonatiuh, who is imprisoned for having a relationship with a man. In an effort to escape the harsh realities of confinement, Molina immerses his cellmate, political prisoner Valentin Arregui (portrayed by Diego Luna), in vivid stories of his favorite screen diva, Ingrid Luna—brought to life by Jennifer Lopez.
Although Diego Luna couldn’t attend the premiere due to a family emergency, Lopez and Tonatiuh joined Condon on stage to share in the film’s electric debut. The movie is one of the most buzzworthy titles at this year’s Sundance and is currently seeking distribution.
For those familiar with Manuel Puig’s 1976 novel, this is the second screen adaptation of the story, following the 1985 movie directed by Héctor Babenco. That earlier adaptation earned William Hurt an Academy Award. There’s also a celebrated stage version with music by John Kander, lyrics by Fred Ebb, and a book by Terrence McNally, which swept the Tonys in 1993, taking home seven awards, including Best Musical.
What makes Condon’s take on “Kiss of the Spider Woman” unique is its layered message. While the film exudes the razzle-dazzle of Golden Age musicals, it carries a powerful political undertone. Before the screening, Condon addressed the audience, referencing a controversial line from President Donald Trump’s inauguration speech: “As of today, it will henceforth be the official policy of the United States government that there are only two genders: male and female.”
Condon countered that sentiment with a resonant message. “This movie has a very different perspective,” he said, earning loud applause. “The core of the story is about bridging differences. It shows that love and kindness are the only paths forward.”
The film’s journey to Sundance was not without its challenges. It was first screened for consideration the day after a tense election cycle, which raised questions about its release timing. However, Condon and the production team decided to proceed, believing its message was more relevant than ever.
“For years, trans people have been the latest victims of the culture war,” Condon explained. “We realized no matter what happens politically, this is a conversation that isn’t going away. And this movie is about seeing each other as individuals—about finding humanity in one another.”
For Tonatiuh, stepping into the role of Luis Molina was deeply personal. “Growing up as a fem, queer Latin kid in a culture that didn’t celebrate those things was tough,” he revealed. “I fought so hard to love myself, but I was constantly told my career wouldn’t go far because of who I was. It crushed me.”
That all changed when he read the script for “Kiss of the Spider Woman.” “When I saw the role of Luis Molina, I felt an immediate connection. I understood his pain and his resilience,” Tonatiuh said passionately. “He’s someone who feels like a loser in his own life but becomes his own hero through love. That’s something I’d never seen portrayed so authentically before.”
It’s not just Tonatiuh’s powerful debut that’s capturing attention. Lopez, already a Hollywood icon, has reached new creative heights with her portrayal of Ingrid Luna. The character’s glamorous yet haunting presence mirrors the duality of the film—celebratory yet deeply reflective.
“Kiss of the Spider Woman” is more than just another musical; it’s a timely and poignant exploration of love, identity, and resilience. With dazzling performances, rich storytelling, and a director at the top of his game, it’s no wonder the film is making waves at Sundance.
As the credits rolled and the standing ovation continued, it was clear that “Kiss of the Spider Woman” is not just a movie—it’s a moment. For Jennifer Lopez, Bill Condon, Tonatiuh, and everyone involved, it’s a dream come true and a reminder of the transformative power of art.
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