Taylor Swift Subpoenaed in Blake Lively–Justin Baldoni Feud Despite No Role in Film

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Taylor Swift Pulled Into Hollywood Legal Firestorm – But She’s Not Having It

You know it’s serious when Taylor Swift’s name pops up in a courtroom document—but don’t be fooled, the pop superstar is making it crystal clear: she wants nothing to do with this Hollywood mess.

Taylor Swift has officially been subpoenaed in the escalating legal feud between actress Blake Lively and actor/director Justin Baldoni over their controversial 2024 film, It Ends with Us. But hold up—before you imagine Taylor storming into court or being grilled on the witness stand, let’s clear the air: Swift had absolutely no involvement in the movie’s creation. Zip. Nada. Not even a set visit.

🔥 Key Takeaways:

  • Taylor Swift was subpoenaed but had zero role in the film's production.

  • She only allowed the use of one song – "My Tears Ricochet."

  • Blake Lively and Justin Baldoni are tangled in a $400 million legal clash.

  • Taylor and Ryan Reynolds were allegedly mentioned as “dragons” in private texts.

  • Trial may begin in March 2026.

The statement from Swift’s rep, delivered to CBS News, didn’t mince words. "This subpoena is nothing more than an attempt to use Taylor Swift's name for clickbait. It's a tabloid tactic and has nothing to do with the facts of the case," the spokesperson stated. In short: Swift’s name is being dragged into this purely for publicity. She never had any creative input, never saw a cut of the film, and didn’t attend any casting or script meetings. In fact, she didn't even watch the movie until weeks after it was released.

So why is she being dragged into this drama?

Turns out, it all goes back to some spicy allegations and a lawsuit that has Hollywood buzzing. Back in December, Blake Lively sued Baldoni, claiming that he sexually harassed her on set during the filming of It Ends with Us. The movie, based on the hit novel by Colleen Hoover, was supposed to be a major emotional drama—now it’s morphed into a courtroom soap opera.

Not long after Lively's lawsuit, Baldoni fired back hard. In January, he countersued for a jaw-dropping $400 million, naming both Blake and her husband Ryan Reynolds. He accused them of defamation, extortion, and privacy invasion. And yes, Taylor Swift’s name appeared in the countersuit, albeit without directly naming her.

The twist? Baldoni included text messages where Lively supposedly referred to Swift and Reynolds as her "most trusted partners"—or, more dramatically, her "dragons." (Yeah, a full-on Game of Thrones reference.) According to those messages, a script meeting involving all four of them allegedly took place.

But Swift’s team is having none of it. They made it abundantly clear: Taylor was traveling nonstop throughout 2023 and 2024 for her record-breaking Eras Tour. She was circling the globe, packing stadiums from Buenos Aires to Tokyo. Set meetings and creative consulting on a movie? That simply wasn't happening.

The only real connection Taylor Swift had with the film? She gave the green light to use her emotionally gut-wrenching song, "My Tears Ricochet." That’s it. No producing, no script notes, no behind-the-scenes drama.

🎬 Behind the Battle: Blake vs. Baldoni

The lawsuit between Lively and Baldoni is shaping up to be one of Hollywood’s most watched legal showdowns in recent memory. Lively’s initial lawsuit painted a disturbing picture, claiming Baldoni made the set a toxic environment and made other women uncomfortable as well—not just her.

In response, Baldoni swung hard with his own narrative, claiming the entire situation was a smear campaign meant to destroy his reputation and career. He even dragged The New York Times into the battle, filing a separate defamation lawsuit against the newspaper for publishing Lively’s initial allegations.

And now, with the mention of A-list stars like Taylor Swift and Ryan Reynolds, things have exploded into full-blown spectacle. Baldoni’s legal team has gone on record saying Swift and Reynolds are “two of the most influential and wealthy celebrities in the world,” implying their power could sway public and legal opinion against him.

But if you ask Swift’s camp, this entire circus is nothing more than a ploy to bring more attention—and chaos—to an already sensationalized case. The publicists are calling it out for what it is: tabloid bait.

⏳ What’s Next?

The federal judge overseeing the case has already suggested that both lawsuits—Lively’s original and Baldoni’s counter—will likely be combined into a single trial. As of now, that trial is tentatively set to begin in March 2026. So, buckle up, because this drama isn’t going away anytime soon.

In the meantime, CBS News reached out to reps for both Blake Lively and Justin Baldoni for further comment. So far, no new statements have been released.

As for Taylor Swift? She’s staying focused on her music, her tour, and quite frankly, not giving this legal mess more energy than it deserves. And honestly, can you blame her?

🚨 The Bigger Picture

This situation raises bigger questions about celebrity culture and legal strategy. Are high-profile names being weaponized just to sway public opinion or turn lawsuits into media spectacles? If so, it's not only ethically murky—it’s downright damaging.

In Taylor's case, dragging her name into this when she had no creative role and barely a licensing connection seems like a desperate attempt to shift the spotlight. It’s a classic “let’s use a mega-celebrity to stir the pot” move.

Yet, Swift’s fans—famously loyal and fiercely protective—are unlikely to let this one slide quietly. Already, social media has been flooded with Swifties calling out the subpoena as nothing more than a “cheap PR stunt.”

Final Thoughts

This isn’t just a lawsuit—it’s a clash of Hollywood giants, an A-list courtroom drama with layers of scandal, betrayal, and even fantasy references (hello, “dragons”). And now, with Taylor Swift unwillingly pulled into the spotlight, it’s got all the makings of a headline-hogging saga that will keep unfolding.

Let’s just hope that justice, and not clickbait, ends up leading the charge.