"Lisa Frankenstein" endeavors to weave together elements of horror, comedy, romance, and adolescent turmoil, under the direction of Zelda Williams and the pen of Diablo Cody. Positioned as a nostalgic journey set in 1989, the film introduces us to Lisa, portrayed by Kathryn Newton, a young woman grappling with personal tragedy amidst the backdrop of a new town and blended family dynamics. Carla Gugino plays her unsympathetic stepmother, whose disdain for Lisa's fanciful nature adds tension to their relationship.
Liza Soberano injects energy into the narrative as Taffy, Lisa's stepsister, whose ebullient personality contrasts sharply with Lisa's introspective demeanor. Their interactions provide moments of levity as Lisa navigates her way through the challenges of adolescence. However, the central plot arc unfolds when Lisa encounters a resurrected corpse, portrayed by Cole Sprouse, in a derelict cemetery. Their unconventional relationship forms the crux of the storyline, as Lisa grapples with the consequences of her actions and the complexities of human connection.
Despite its ambitious blend of genres, "Lisa Frankenstein" struggles to maintain coherence, often veering into disjointed territory. While the film's dark humor offers occasional respite, it fails to sustain momentum, leaving audiences wanting more. Nevertheless, the movie contributes to the longstanding tradition of narratives centered around teenage girls encountering extraordinary beings, adding a contemporary twist to a familiar trope.
Released strategically amidst the buzz of Valentine's Day and the fervor of Super Bowl season, "Lisa Frankenstein" aims to offer a distinct alternative for audiences seeking unconventional entertainment. Yet, its inability to fully capitalize on its promising premise results in a missed opportunity. Nonetheless, the film serves as a testament to the enduring appeal of stories that explore the complexities of adolescence and the allure of the fantastical, even if its execution falls short of expectations.
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